She has by-lines in Artforum, The Brooklyn Rail, Burlington Contemporary, C Magazine, ESPACE art actuel, frieze, L’Essenziale Studio, Monopol, OCULA, Sehepunkte, STIR, Translator, and Texte zur Kunst. She penned catalogue essays for Sessions Arts Club and the Embassy of Chile in Jordan, as well as for museums and galleries including NRW-Forum, Kunstmuseum Bochum, Bonner Kunstverein, Marburger Kunstverein, Belmacz, Arcadia Missa, and Peter von Kant.
Currently, Maximiliane is the Managing Editor at Translator, a new English-language magazine of slow journalism in translation. Translator’s debut issue features reportages from Argentina, Colombia, Denmark, Egypt, Eswatini, Russia, Sudan, and Sri Lanka.
Maximiliane also projectmanaged the first-ever exhibition catalogue for the fourth edition of EVI LICHTUNGEN, an emerging light-art biennial near Hannover. She edited Clara Schramm’s magazine TABOO and transcribed conversations with Julian Rosenfeldt, Pipilotti Rist, Albert Oehlen and other artists for Isabel Parkes’ 2021 monograph So Let The Artists Do It. Together with Sarah Waldschmitt, she coordinated the re-edition of Kunstmuseum Bonn’s museum guide in 2012.
When she’s not editing or writing, Maximiliane curates exhibitions. Last year, she presented Nick Modrzewski's UK debut exhibition at Sarah Kravitz Gallery, as well as an exhibition of Dunja Jankovic's prints. Before that, Maximiliane was Assistant Curator for artists’ books at the Bilderbuchmuseum Burg Wissem, overseeing eleven exhibitions on self-publishing illustrators and publishing houses. She was also involved in curatorial projects at Kunstmuseum Bonn and Kunstmuseum Solingen.
Maximiliane also sits on the advisory board of Saloon London, the UK branch of the Saloon Network for emerging female (identifying & non-binary) art professionals. In this capacity, she has co-ordinated and hosted events at female-run institutions including the Nicoletta Fiorucci Foundation, Sarah Kravitz Gallery, Belmacz, the Wellcome Collection and Cockpit Studios.
In addition to The Courtauld Institute of Art, Maximiliane has previously worked for museums, galleries and an art advisory, including Evi Lichtungen, Bettina Kames Art Advisory, Hanina Fine Arts, Project88, Haus Mödrath - Räume für Kunst, Museum Ludwig, Bilderbuchmuseum Burg Wissem, and Kunstmuseum Bonn.
She lives in London.